Another year, another trip down to London for the BSC Expo. It’s easily the best trade show in the UK for Cinematographers – unlike others, there’s no sound, editing or broadcast stuff – it’s all cameras, lenses, lighting and grip!
Since 2008, filmmakers have been in the market for full frame cine primes. Lenses that cover the larger format yet still offer all the mechanical advantages of a proper cinema lens.
RED Digital Cinema this week introduced two new cameras, bringing the total number of DSMC2 cameras currently available to five. But let’s compare them. What’s the difference between them all?