Since 2008, filmmakers have been in the market for full frame cine primes. Lenses that cover the larger format yet still offer all the mechanical advantages of a proper cinema lens.
RED Digital Cinema this week introduced two new cameras, bringing the total number of DSMC2 cameras currently available to five. But let’s compare them. What’s the difference between them all?
Some time ago now, I was in the market for a set of high quality lenses for cinema use and investigated the various offerings available.