Last night, RED announced some changes to their ever-evolving line up of cameras. It isn’t a new camera or sensor this time, but rather, they’ve shrunk the number of cameras, sensors, names and prices.
Today Jarred Land of RED Digital Cinema announced a new sensor, and a very special one at that. By the time you read this, the only five available will have sold out.
Since 2008, filmmakers have been in the market for full frame cine primes. Lenses that cover the larger format yet still offer all the mechanical advantages of a proper cinema lens.
RED Digital Cinema this week introduced two new cameras, bringing the total number of DSMC2 cameras currently available to five. But let’s compare them. What’s the difference between them all?