Sony and Canon battle to become the new full frame cinema camera champion. Let’s look more closely at the new FX9 and the C500 Mark II and compare them side by side.
Since 2008, filmmakers have been in the market for full frame cine primes. Lenses that cover the larger format yet still offer all the mechanical advantages of a proper cinema lens.
RED Digital Cinema this week introduced two new cameras, bringing the total number of DSMC2 cameras currently available to five. But let’s compare them. What’s the difference between them all?